![]() ![]() First off, though, let’s talk about some basics when visiting the city. But… You should do everything on our list of things to do in New York City. We aren’t saying you should do everything on this list. NYC attractions are a dime a dozen, but there are things that everyone should experience in New York to get a real understanding of how interesting and diverse this city really is. With that in mind we decided to pick out the most amazing things about this city that everyone visiting New York for the first time should experience. We got to experience NYC in a new light, through the eyes of a visitor. ![]() Recently we returned to NYC after being away for almost three years. However, we rarely ever experienced New York through the eyes of a tourist, which is why we haven’t really written about it until now. Thus we think we know a thing or a hundred about the City That Never Sleeps. We lived in NYC for a looong long time before leaving to travel the world. Instead, we’re going to focus on other things that make New York stand out. That means we are going to skip things like shopping at Tiffany’s or eating out at world-class restaurants. So, we are going to keep this list budget friendly. We want to help you save money on your visit to New York City. The possibilities here are endless… and so is the amount of money you can spend on those activities. The chosen composers’ approaches are anything but lock step in nature: Pascal Le Boeuf’s “Forbidden Subjects” makes the most of the group’s propulsive qualities, while Jenny Beck’s “Go in Secret” revels in more ambient realms.Is it your first time in New York? There are literally a million cool things to do in New York City. On its self-titled album, released in June on the New Focus imprint, Real Loud plays works by four composers (including Brendon Randall-Myers, a member of the group who has worked as part of Branca’s ensemble). (Though, moniker aside, the band does not mandate loudness - or even thrashing textures.) ![]() That double-power-trio setup allows composers to keep a certain momentum going, even when decorating a piece with novel material. (It bears the appropriately gothic title “Nostradamus: The Death of Satan.”)Īnother exponent of this trend is the group Real Loud: an electrified chamber sextet of dual guitarists, bassists and drummers. This month, John Zorn released a new album of pieces for his metal-adjacent group Simulacrum. That tradition hasn’t lost steam since Branca’s death in 2018, either. The fusion of classical composition with heavy metal dates back to some early works by Glenn Branca. But for adolescent audiences, it’s also a moving and absorbing journey of a girl who discovers that even imperfections can sometimes be strengths. Gritty, suspenseful and occasionally humorous (“I feel like an extra in a tampon commercial,” Julia says at her quinceañera), “I Am Not” includes profanity, mild drug use, sexual activity and a suicidal episode. Streaming free to schools, it’s available to the public through a $75 subscription to Steppenwolf NOW, a six-show virtual season that ends on Aug. Working with Isaac Gómez’s script and the directors Sandra Marquez and Audrey Francis, Steppenwolf turned the production into a 110-minute audio version. Sánchez, this play was being performed in the Chicago company’s Steppenwolf for Young Adults series when the pandemic forced it to close. The rebellious 15-year-old daughter of Chicago immigrants, Julia ( Karen Rodriguez) feels responsible for the accidental death of her more obedient older sister, Olga, whose final weeks remain mysterious.Īn adaptation of the acclaimed novel of the same title by Erika L. Julia Reyes, the aspiring writer at the heart of Steppenwolf Theater Company’s “I Am Not Your Perfect Mexican Daughter,” isn’t kidding when she uses that statement to describe herself. Their analysis may help you find new dimensions in these ubiquitous songs - even if you’ve already heard them a few hundred times. In one “Summer Hits” episode, Sloan, Harding and their guest Hanif Abdurraqib discuss the structure of Lorde’s ebullient “Solar Power” and parse the debate about originality that it has inspired in another, they locate Olivia Rodrigo’s “good 4 u” within the long arc of punk and emo, with help from the critic Jessica Hopper. This question animates their “Summer Hits” mini-series, which continues their podcast’s project of explaining pop’s tricks in layman’s terms and providing context for musical trends. They’re more likely to ask why some of this year’s contenders - songs by BTS, Lorde, Olivia Rodrigo, City Girls and more - resonate the way they do. What is the song of the summer? The musicologist Nate Sloan and the songwriter Charlie Harding, who host the podcast “Switched on Pop,” aren’t in the business of issuing superlatives. ![]()
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